As a screen printing nerd, I found their project interesting because it presented quite the challenge because it required inverting the printing process. I had thought that we could use masking tape to create the lettering and then block it out properly using screen filler. However, when I was gathering my supplies and making the screen I started to wonder if using a screen would prove problematic because the spray ink would either dry on the screen or clog it entirely if the spray was not powerful enough to penetrate the screen after being sprayed. Nevertheless, we had to try using a screen because it presented the simplest way of producing shirts in runs rather than one at a time. Or at least we thought.

Screen attempt = fail.

After spending a couple of hours creating letters out of tape and carefully arranging them on a screen, we were ready to print. However, we only were able to produce one shirt that night because the ink did clog the screen, which meant that we would have to wash the screen out and start over once it dried. I can feel the ghosts of Ford, Taylor and Disney shuddering at my failed attempt to industrialize a process and the lost hours of labour. But R&D is forever fraught with inefficiencies and it was still fun hanging out with Megan, Jay and Kate, eating pizza and bedazzling the cuffs of a hoodie belonging to Edo Van Breemen of Brasstronaut.

Bedazzled! The red is for stigmata.

Back at the drawing board (a.k.a. watching season 3 of Dexter) I came upon the notion of cutting the letters out of cardboard and fixing them to a frame by using either fishing line or a really thin wire. Since I already had a photo of the lettering I was able to reproduce it exactly as it was by tracing the letters in illustrator and then printing out the PDF.

Tools

1 roll of duct tape
1 roll of 30 gauge flower and craft wire
2 30 inch canvas frame pieces (I got mine at Opus)
2 22 inch canvas frame pieces
1 pair of wire cutters
1 box cutter
1 x-acto knife
2 printouts of the lettering
1 large sheet of thick cardboard (I had some in my apartment because I’m a craft hoarder)

1. Build the frame and secure it by taping the corners using the duct tape. I used about 6 inch strips on the long and short side to really lock the pieces together.

2. Tape the printout to the cardboard and cut the outline of the letters using the box cutter. Since the cardboard was really thick, I used my x-acto knife for the more delicate final cuts. Leave the cut letters in the cardboard.

3. Flip over the cardboard and place the frame around it, with the front of the frame facing down. Position the cardboard to make sure that the letters aren’t too close to the edge since we do not want to create hard lines when spraying.

4. Start running the wire from one edge of the frame to the other, making sure that it runs across the top part of each of the letters. Secure the first edge by winding the wire around the frame and then using the duct tape to secure it firmly. Stretch out the wire so it’s taut before securing it to the frame. Or start taping down the wire to the letters before securing the other edge. I didn’t find any advantage to doing it in either order. Once everything is secured, repeat the process for the bottom of the letters. Since we were doing two words with dashes, I then repeated this step for the other word.

5. Now that the lettering has been secured to the wire, pop out the letters from the cardboard and check to see if there is any slack to the wire. If there is slack (there was in the mine), simply press down wire against the frame and secure it with duct tape. And then you’re done! I had to do some small adjustments to the dashes, but they stayed in place even though they only had one line behind them.

pre-spray

Click here to check out Fine Mist’s Myspace page

Click here to check out tracks from Fine Mist related projects, like Jay’s new solo EP, last year’s Jay Division

Click here to get Jay’s new EP Bird of Prey and listen to his remixes and other things (Thanks Jay!)

Click here to check out Kate’s photos from the Commodore

Check out the video of Fine Mist performing their song “Because of the Ocean” at the Commodore, where they opened for Sloan

Printing Peanuts

The easiest part was getting Michelle going since I still had her screen from the Peanut shirt that she made about a year ago. Michelle printed her 3 colour separation in the order of green eyes, black head, and white features. Alignment is the toughest challenge with Michelle’s print because we put the 3 layers on a smallish screen.

Layers of Peanuts

I set the first screen to start developing and we started printing Michelle’s shirt. There were no glitches with the photo emulsion process for any of the shirts, so they came out really neatly. The one danger with using the wooden frames is that water gets trapped between the screen and frame. I have a hard time creating a full seal between the wooden frame and the fabric screen since the tape won’t stick to the wood through the screen. It’s a good idea to get a layer of the emulsion in there when coating the screen to create a full seal so water doesn’t get trapped when washing out your screen.

Glamour Me Fangtasia - By Setareh

Mauve did some undies inspired by The Wire. I was really impressed how Bub’s outline turned out and decided to keep the screen to make more prints with different colours.

Bubbles - Much Obliged

Check out the full set of pictures at Flickr!

And keep track of what Michelle eats!

Why would someone on this trek to visually ransack a culture with a long line of talented artists then decide to go see Transformers:  Revenge of the Fallen? Well, after spending days admiring Amersfoort, the Hague and wandering past the nightlife of Amstersam, I needed to give my feet a break from the torrid pace I had been taking. The amount that I walked was honestly ridiculous considering Dutch cities are designed around the bicycle and after several days of admiring Dutch gazelles zipping by on their bikes it was clear that being on foot was a lesser experience.

Dutch Bike Racks

The decision to see the movie came while I was contemplating my night’s entertainment during a much needed stop at an internet cafe as photos uploaded to flickr, email was checked, and general internet browsing provided entertainment. After reading the io9 review of Transformers that marvelously described the film as Michael Bay’s first art film I was hooked on the idea of witnessing this atrocity for myself. Plus, I was really fascinated by how a bike loving Dutch audience would respond to a very American film about the American love affair with the automobile.

What I didn’t expect was sitting next to an American.

Stripped!

Ok, I may never have spoken directly to the guy but his responses to the different parts of the film indicated that he was not only American, but was either a current or former member of the military. For example, during the moment that Major Lennox (Josh Duhamel) was being stripped of his command by Director Galloway (John Benjamin Hickey) he said, “Fuck you!” With fast “fuck” and a tight “you” that slowly decreased in emphasis. All this told me that he shared a sense of agony with Lennox and that he was having an emotional response to the scene. Yes, Transformers for at least one dude was an emotionally significant event.

One happy soldier jumps off a perfectly good aircraft

I found Transformers: Revenge of the Fallen as completely ridiculous i09 made it out to be. However, I was surprised by the emphasis on the awesomeness of the US military. Being next to a guy who not only got excited by the when John Turturro referenced to the troop transport, but also “Hooahed,” I found it hard not to pay extra attention to the military. For example, the final section of the film was littered with sequences devoted to showing off  the military and its technology. I found the sequence where the troops jump out of the plane and one of the soldiers looks directly into the camera to be striking because it’s a weird way for the film to break the fourth wall in a manner that emphasizes the fun of combat prior to the launching of the MQ-1 Predator.

Military Robots in action

At this point a film that is dedicated to showing the coolness of the Autobots and also shows the coolness of the latest military gear that gets sent out when the chips are down and communications in a warzone is knocked out. The focus on military technology isn’t surprising considering that technology is at the core of the story since the Transformers are creatures of technology and their awesome tech now parallels the military’s awesome tech. But given that the entire narrative around the Transformers only exists to sell toys and other merchandise and the film is wall to wall with product placements, it really presents the military as another product to be promoted alongside cars, webcams, and life insurance.

In the end, I wasn’t surprised that the Dutch audience groaned like a Canadian one does when American films like Michael Bay’s get too flag wavey and chest thumpy. But at the same time we do go watch, sometimes out of sheer wonderment at the culture and people that films are aimed at.

The Porch at Sharon United

Back in September I was contacted through a friend about designing a website for an architect based out of White Rock. After meeting with Keith and Michelle, I was really impressed with their approach to architecture, space and light and took on the project. Liz and I did a mini-roadtrip one day to get a better sense of what the churches were like since they were all really quite different in their materials. Some weren’t even completely new buildings, but rather additions to pre-existing churches like the one above at Sharon United in Murrayville (south of Langley). I set out to create a wordmark that reflected the delicate balance of old and new that I saw in the buildings and after some review and discussion the final logo was settled upon. They wanted the background of their site to be taken from the passage of light through amber-coloured stained glass, so I was handed a couple of sample pieces that I photographed in different light. I’m excited to have this project completed and that it matches what they had envisioned when setting out on the project.

Go to the Keith Sullivan Architecture Inc. site

Go to the flickr set of amber backgrounds (creative commons)

The Beer Cap

For Rich’s birthday I decided to create a beer brand and label for the home brew that he’s been cooking up since the summer. The first batch was named after our softball team, the Re-Ups, but we all agreed that the beer should be its own thing. I batted a couple of ideas about and settled on the name Huxley’s Home Brew in honour of Aldous Huxley and Rich’s Dad who is a Huxley scholar. I also thought about calling it Lamey’s Mill Brewery after the street that Rich lives on and even designed labels and caps for that name, however, I had an idea that Rich would prefer Huxley’s because of the reference and because it was important to refer to the home brew since the beer is actually brewed in a closet in his apartment. So, Huxley’s it is.

I also made up a flash timer that tells when the next batch is done, so let the countdown begin!

]]> http://neoplasticutopia.com/2009/10/28/huxleys-home-brew/feed/ 3 http://neoplasticutopia.com/2009/10/08/papyrus-makes-me-barf/ http://neoplasticutopia.com/2009/10/08/papyrus-makes-me-barf/#comments Thu, 08 Oct 2009 16:25:46 +0000 admin http://neoplasticutopia.com/?p=193 My writing about papyrus had taken a break for a while simply because I couldn’t keep up with the volume. It’s everywhere. And I wish I was joking, but the sad thing is that lazy designers exist everywhere and due to the ubiquity of computers, so does fucking papyrus.

The most recent addition to the papyrus hall of shame is James Cameron’s Avatar, which looks infreakingcredible. And as much as the combination of Sigouney Weaver, James Cameron and giant blue creatures gets my heart aflutter, the sight of papyrus in the trailer was enough to make me wretch and STOP PAYING ATTENTION TO THE AWESOMENESS.

Joss, you signed the font crime

This isn’t the first time that papyrus has been used in otherwise awesome context. Joss Whedon’s Firefly used the font repeatedly and the sight of the Kaylee painting it on Serenity just validates the font for other people. Joss, you work so hard to overturn our narrative expectations, but then are victim of the most banal and offensive font crime possible.

Sweet Jesus, make it stop

Even my beloved Batman: The Animated Series used papyrus in the title card for the Tyger, Tyger episode. William Blake has never been so mangled before. And I’m not talking about the quality of the episode, I’m talking about fuglifying of one of the most beautiful poems in the English language by alluding to it with a font that has nothing to do with tigers and is really a slap in the face to Blake’s artistry:

The original plate of William Blake's The Tyger

Speaking of fuglyfied things, Richard sent me a link to what is the most awesome catalog of hideous design. The kind people at Your Logo Makes Me Barf have been posting fuglos (fucking ugly logos) for a while now and their inventory is eye gougingly amazing:

Beyond Words

Here’s a link to my growing papyrus flickr set that has photos from Vancouver, Portland, Seattle and Amsterdam.

sigh.

The rally made it into the Georgia Straight Blog and there was a picture of me!

Grey + empty frame = absence of arts

Lindsey Brown and Fiona Bowie were amongst the organizers and Lindsey had this to say:

Please participate in getting the BC liberal Government to reinstate the cuts!

Please read what people like Margaret Atwood have to say and add your voice to the fight!

http://www.stopbcartscuts.ca/speakout.html

Follow on Twitter: http://twitter.com/stopbcartscuts

http://thetyee.ca/News/2009/09/28/ArtsCuts/

Here’s an excellent article from The Province about how the cuts affect more than the arts

this year's barcamp T

I had the most amazing Saturday at Barcamp Vancouver with my friend Richard and a whole panopoly of Vancouver’s creative community. I’d never been to Barcamp before, so I really wan’t sure what to expect in terms of the organization or presentations, but like most user groups/conferences, there was waaaaay more amazing content than one could take in.

On the Friday night before the camp, there was a meet and greet at Ceili’s where you could pick up your t-shirt and a couple of pints and get to know people in more social setting. I managed to talk to an interesting range of people with really diverse and creative backgrounds ranging from coders/developers, sound and hardware. I was surprised to run into Chris Mathieson (@cognoscento) from the Vancouver Police Museum, who I had met earlier in the year through a mutual museum connection. But on second thought, Chris is kind of everywhere, so I really shouldn’t have been surprised.

The event itself was an amazing mix of presentations and collaboration that was really inspiring and challenging. I started my day by going to a presentation on the positive impact of choirs in students, followed by a creative jam on Charettes and the importance of brainstorming on solving big difficult problems with lots of variables like reducing accidents at known dangrous intersections. I’m definitely going to steal ideas learned from this session in my own workshops.

I also saw amazing presentations/workshops on:

• Working remotely as a contractor, telecommuting and the problems of collaboration
• Social media and educational institutions
• Open sourcing law
• Government data, the problem of access and applications like googlemap mashups. My favourite example was the Vancouver Garbage Reminders, simply because of the sheer usefulness of getting reminders about garbage collection day (you don’t want to see the pile of recycling currently in my apartment).

Overall barcamp was an amazing day full of incredible ideas and passionate, intelligent people that make me proud to be a Vancouverite involved in technology and information. The willignness to share knowledge and be open to ideas was like the university seminar that I always longed for. A huge thanks has to go out to the organizers and sponsors for doing an incredible job of making such an amazing day possible!

Go to the barcamp vancouver site:

http://barcampvancouver2009.eventbrite.com/

See pictures from the event:

http://www.flickr.com/groups/barcampvancouver/

Last Thursday I went to Blim to make buttons for Claudia’s Sports Day birthday extravaganza. Before Claudia had told me to put a beagle on the badge I had already made up a couple of different versions that included her face. The following image was  Michelle’s favourite:

Claudia loves the stabbin's

I designed the buttons based on the Canada fitness awards from the eighties. I’m not sure why I have such fond memories of those badges since I never managed to get anything above “Participant.” However, I recall really liking the design even as a kid.

Sports day went off without a hitch and due to my ankle injury, I was able to ref the different events that included an egg and spoon race, a clothing race and a softball game. The only event that misfired was MadMenton since there were technical difficulties with the net. MadMenton is basically badminton, but the rules stipulate that you hold a drink/cocktail in one hand while playing. Oh Mad Men, what don’t you inspire. And there was a bouncy castle thanks to Liz B’s organizational savvy:

Bouncy Bouncy, oh such a good time

]]> http://neoplasticutopia.com/2009/09/28/of-beagles-and-buttons/feed/ 1 http://neoplasticutopia.com/2009/09/17/nothing-ever-happens-in-my-town-thanks-to-liberal-cuts/ http://neoplasticutopia.com/2009/09/17/nothing-ever-happens-in-my-town-thanks-to-liberal-cuts/#comments Fri, 18 Sep 2009 05:29:19 +0000 admin http://neoplasticutopia.com/?p=138

I’m known to be a verbose person, but the cuts to BC arts funding have left me rather speechless because I don’t know what to say to the slew of people that are going to be losing their jobs immediately or in the near future. I’ve been out of work since May and can only offer a sympathetic shoulder and advice on how to reduce spending in order to get by. I’ll stand in solidarity with my fellow artists, but the reality is that we’re also now being pitted against each other in an increasingly tight job market. Those of us working artists that used day jobs to fund our art practices are going to face serious decisions about our futures since we will no longer be able to rely on teaching, community organization and art exhibition to get by. Some of us will move on and continue, while others will have to find new fields or new places to live. But in the end it’s BC youth that will suffer the most, because they’ll face growing up in communities that are cultural wastelands because they are devoid of teachers and mentors.

I used to make my living from working in software and teaching children about historical fiction and animation. But the software job dried up in May and the animation program is being scaled back severely, even after a very successful 2008/2009 school year. So, I’ve looked for work as a graphic designer and in the arts community to little avail. For now, I’m left scrambling to minimize the amount of debt that I hope doesn’t bury me since student loans, taxes and credit cards all have interest rates that tick at a rate faster than I can calculate. I’m educated (multiple degrees), I volunteer, and participate in local events whenever possible, but I’m facing financial ruin and the latest rounds of cuts mean that there will be fewer opportunities and even more people looking for work. It also means I can’t support other artists or the facilities that make some of our work possible, which leads to further loss to our communities as the dominoes start to fall.

The thing I find most appalling is that artists actually tend to be amongst the hardest working people in our communities because most of them do their work out of passion and devotion to their crafts. The cuts are also a slap in the face to a province-wide arts community that puts up significant financial numbers:

• For every $1 into arts a $1.36 comes back to the province

• The arts generates 5 billion dollars for BC every year

While the cuts that the arts community is desperate to keep is only 1/20 of 1% of the provincial government’s budget.

Please get involved and find more information at these and other sources:

Join the Facebook group: Organizing against Campbell’s cuts to the arts

http://decimatingtheartsincanada.blogspot.com/

Gillian Burnett’s article in The Province

The Arts Alliance Blog

Ouno Design encourages you to send letters!

Visualizations of the BC budget from blprnt